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Dating kindred spirits

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Varejão’s new body of monochromatic, crackled works is inspired by 11th century Mimbres pottery from what is now the southwestern United States.

The world of the unknown debuts on TLC with Kindred Spirits.Kokonotsuboshi Girls' Academy of Commerce, a school built on the site of an old castle, known as "Shirojo." Toomi Yuna spends her time here on her own, until one day her lunch on the roof is suddenly interrupted by a pair of ghosts.Enoki Sachi, who died in an accident before the war, and Nagatani Megumi, who died of illness thirty years ago.This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.If the file has been modified from its original state, some details may not fully reflect the modified file.These monochromatic works featured the celadon colors—light green to light blue—emblematic of Chinese pottery.

Resembling parched earth, the characteristic cracks were the product of aesthetic experimentation by Chinese master ceramicists who intentionally fired the pottery to the point of distress, resulting in the highly valued accidental cracks running through the pottery.

Varejão and Alonzo will be in conversation at the gallery at 201 Chrystie Street on Friday, April 22 at 5PM. Following her exhibition at Lehmann Maupin, Varejão’s work will be prominently featured during the 2016 Summer Olympics in Rio de Janeiro, in the form of a large-scale commission for the Olympic Aquatics Stadium.

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Regarded as one of Brazil’s most accomplished contemporary artists, Varejão often references cultural and historic research through an intense investigation into anthropology, colonial trade, demography, and racial identity.

She is especially influenced by theories of (a term for the mixing of ancestries) and cultural anthropophagy—as proposed by the Brazilian poet Oswald de Andrade, who urged artists to “cannibalize,” rather than reject, cultural components of their country’s colonizers.

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